Monday 21 January 2019

LFTVD - Stranger Things: Representations




Representations:

>  Narrative Structure
-          Linear:
·         Have a clear beginning, middle and end.
·         They follow a chronological timeframe.
·         Action A leads to action B which leads to action C etc.

-          Fragmented (non-linear)
·         Disrupted or disjointed narratives. e.g. one is Joyce's family, one is Hopper and one is Scientists etc.
·         They do not have a clear beginning, middle and end.
·         Events / actions may be shown out of chronological order and not in the order they would naturally occur in, so C might happen before A does.
·         It is a narrative technique that can help to show parallel stories, a story within a story, dreams and so on within the same episode or sequel.
·         They are seen to more closely replicate the way the human mind works.
·         They make the audience participate in the story to try and piece the story together.

-          Restricted:
·         We experience the story through the senses and thoughts of just one character.
·         This is almost always the main character (protagonist).
·         The narrative cannot tell the audience things that the main character does not know, we find things out in the story at the same time as the character.

-          Omnipresent:
·         A panoramic, all seeing, view of the world of the story, not just one character's point of view.
·         Provides the point of view of many characters and their experience and feelings within the story.
·         Helps the audience see a broader background to the story, from a number of contexts.
·         Used for telling stories in which the context, views and feelings of many characters are important.


-          Narrative endings /Closed endings:
·         TV dramas traditionally feature one character's story or point of view in an episode, which comes to a resolution at the end of the episode.
·         The character's story can exist as one unique story in one episode.
·         A story is unravelled before an audience, and then ultimately brought to a conclusion.
·         The following episode will feature a different story

-          Open endings
·         When an episode or season ends on a cliff hanger.
·         A story-telling technique.
·         In films, open endings can be unsatisfying for audiences.
·         In long form TV drama, open endings indicate there will be a continuation of the 'story', or possibly a resolution, in the next episode.

-          Academic ideas about narrative:
·         Todorov : Equilibrium theory
·         Strauss : Binary Oppositions






> Enigma Codes:

·         Roland Barthes. e.g.
·         Where does eleven come from?
·         Why did the man get taken?
·         What took him?
·         Why did Benny get shot?


 In relation to Stanger Things:
·         The events in the episode occur in a fragmented structure due to the multiple storylines in one episode.
·         The structure helps me to understand the story due to the flashbacks to give some background / context e.g. Joyce in Will's tent.  Also, just the background information e.g. Hopper's history shown through the picture in his office and when the teacher asks about his child.
·         The structure helps me to engage in the drama before it unfolds because it makes me want to find out what happens to the characters.



Wednesday 16 January 2019

LFTVD - Stranger Things: Conventions


Conventions: 

  • High Quality drama
  • Multiple episodes, hours, years
  • Content can be dark and difficult but innovative
  • Time shifting
  • Easily accessible 
  • Attracts some of the best and innovative writers and actors
  • More personal 
  • Challenges the simplistic story lines and stereotypical characters  
  • Reflection of whats happening - politics
  •  HBO launched the sopranos in 1999 (to 2007), which was a huge commercial and critical hit
  • Increasingly these shows were about the crisis of us identity and *hegemony 





*leadership or dominance, especially by one state or social group over others.

Tuesday 15 January 2019

LFTVD: Introduction Lesson



TV Drama:

L     I     A     R
A    N       E
N   D          R
G   U     D    E
U   S     E     S
A    T     N     A
G   R     C     T
E   Y      E     I 
                     O 
                    N


  • Long Form TV Drama (LFTVD)

     > Invested and addicted
  • US network broadcasters must satisfy their advertises
      > Are controlled by federal regulations 
  •  HBO launched in the 1970s (1st cable tv channel)
  • Cable channels are able to take more risks with content and form
      > UK broadcasters fail to make these risks and this is shown through well known British period dramas (Downtown Abby) as well as the popularity for US dramas in the UK
  • Commissioning remains tightly controlled and conservative in outlook
  • ABC1 Audience - Big earners
  • Channel 4 found foreign language / subtitled LFTVD are rating winners 
  • Advertising has a big impact on LFTVD 
  • Social media plays a big role

  • Platforms:
     > 3/4 of  households (UK) have Personal Video Recorders (PVR) uptake but it has plateaued 
     > Use of *time-shift is increasing
     > Growth of SVOD
  • Netflix dominates with 24% of UK market with 5 million subscribers 
      > 10% growth 2015 - 2016
  • Binge-watching started with DVD in the later 1990s
  • There has been a move from'water cooler' TV to 'shared universe' fandom

  •  LFTVD often uses Easter Eggs and mid season breaks to generate intensity and maintain media profile
  • Easter eggs - long running jokes hidden in TV shows 
      > Starts a conversation 
      > Want to spot them first 
      > Really invested into the program 

  • High production value 
  • Multiple episodes 
     > Could go on forever 
     > Watch when you want 



time-shifting - watch whenever you want